Miscellaneous

Easter Egg "The St. Great Martyr Alexandra"

Easter Egg "The St. Great Martyr Alexandra"
Miscellaneous

Imperial Porcelain Factory, St. Petersburg. 1860-1870s

Painter Mikhail Kryukov (signed M.K.)

Overglaze laying, overglaze polychrome painting, enamel, gilt, diverging pattern on porcelain.

Height - 10.8 cm

Magazine issue : 
#2 2018 (59)
Автор статьи: 

Ivan Golsky

Easter Egg “Madonna and Child”

Easter Egg “Madonna and Child”
Miscellaneous

Imperial Porcelain Factory, St. Petersburg. 1880-1898

Painter Fyodor Torachkov (1834-1898; Θ. Т.)

Overglaze laying, overglaze polychrome painting, gilt on paste, porcelain.

Height - 10.9 cm

Magazine issue : 
#2 2018 (59)
Автор статьи: 

Ivan Golsky

Easter Egg “Virgin Mary and Child”

Easter Egg “Virgin Mary and Child”
Miscellaneous

Imperial Porcelain Factory, St. Petersburg. 1850-1860s

Signed with porcelain painter’s initials: K.Z.

Overglaze polychrome painting, gilt, imitation of diverging pattern on porcelain.

Height - 11.2 cm

Egg painted with a motif from a copy of “Virgin Mary and Child with St. Francis of Paola” (1703-1705) by Francesco Solimena (1657-1747), currently in the Old Masters Gallery in Dresden, Germany.

Magazine issue : 
#2 2018 (59)
Автор статьи: 

Ivan Golsky

Easter Egg "The Virgin Mary"

Easter Egg "The Virgin Mary"
Miscellaneous

Imperial Porcelain Factory, St. Petersburg. 1840-1850s

Overglaze polychrome painting, gilt, imitation of diverging pattern on porcelain.

Height - 8.6 cm

In 2001 the painting on this Easter Egg was mistakenly identified as the image of St. Catherine.

Magazine issue : 
#2 2018 (59)
Автор статьи: 

Ivan Golsky

Easter Egg "The Infant Christ with a Floral Wreath"

Easter Egg "The Infant Christ with a Floral Wreath"
Miscellaneous

Imperial Porcelain Factory, St. Petersburg. 1862-1870s

Signed with the painter’s initial: P.

Overglaze polychrome painting, enamel, gilt, diverging pattern on porcelain.

Height - 9.0 cm

Egg with painting after the print from a fragment of “The Infant Christ with a Floral Wreath” by Carlo Dolci (1616-1686) (1663).

Magazine issue : 
#2 2018 (59)
Автор статьи: 

Ivan Golsky

Easter Egg

Easter Egg
Miscellaneous

Imperial Porcelain Factory, St. Petersburg. 1750-1760s

Overglaze monochrome painting, gilt on porcelain.

Height - 6.7 cm

Egg with painting on one side after the print “The Annunciation”. The State Hermitage online digital catalogue lists a 19th century lithograph of an earlier composition “The Annunciation” by the lithographer Legris. 

Inv.: ОГ-391883

URL: http://e-expo.hermitage.ru/

Magazine issue : 
#2 2018 (59)
Автор статьи: 

Ivan Golsky

Easter Egg "The Annunciation"

Easter Egg "The Annunciation"
Miscellaneous

Imperial Porcelain Factory, St. Petersburg. 1830-1840s

Underglaze cobalt laying, overglaze polychrome painting, platinatation, gilt on porcelain.

Height - 8.9 cm

Egg with painting after the print from “The Annunciation” by Pierre Dulin (1669-1748)

Magazine issue : 
#2 2018 (59)
Автор статьи: 

Ivan Golsky

Easter Egg “Jesus Christ and the Samaritan Woman”

Easter Egg “Jesus Christ and the Samaritan Woman”
Miscellaneous

Imperial Porcelain Factory, St. Petersburg. 1870s

Overglaze polychrome painting, enamel, gilt, imitation of diverging pattern on porcelain.

Height - 8.2 cm

Magazine issue : 
#2 2018 (59)
Автор статьи: 

Ivan Golsky

Easter Egg "Angels Came and Ministered unto Christ in the Desert"

Easter Egg "Angels Came and Ministered unto Christ in the Desert"
Miscellaneous

Imperial Porcelain Factory, St. Petersburg. 1830s

Overglaze polychrome painting, gilt on porcelain.

Height - 8.4 cm

In 2001 the painting on this Easter Egg was mistakenly identified as “Three Angels by the Oak of Mamre”.

Magazine issue : 
#2 2018 (59)
Автор статьи: 

Ivan Golsky

Easter Egg “St. Mary Magdalene”

Easter Egg “St. Mary Magdalene”
Miscellaneous

Imperial Porcelain Factory,St. Petersburg. 1830-1840s

Signed with painter’s initials: A.P.

Overglaze polychrome painting, gilt on paste, diverging pattern on porcelain.

Height - 8.8 cm

Egg with painting after the print from “St. Mary Magdalene” by Guido Reni (1634-1635). Currently at the National Gallery, London

Magazine issue : 
#2 2018 (59)
Автор статьи: 

Ivan Golsky

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